Austrian photographer Inge Prader recently recreated Gustav Klimt’s masterworks for Style Bible, a part of the Life Ball Charity Event in Vienna, Austria. A team of over 50 professionals worked on the demanding photography project which raises funds to help those with HIV/AIDS. Makeup artists, costume designers, set designers, lighting specialists and many others worked with models and fully ornamented props to bring to life the fascinating, erotically charged work that Klimt is known for during his “Golden Phase.”
Do you ever just have one of those times where you and your friend just wanna try something for a photo, just for fun, not really expecting anything, and then
Like… we’ll never be able to repeat this.
you look like angelic ethereal beings from a gay musical set in the turn of the century american south nominated for like 5 oscars well done
That’s exactly what I told him to go for right before we jumped. I’m so happy we achieved this.
why are people against being on the floor it’s good
reblog if you support being on the floor
The floor has done nothing but support you your whole life, it’s time you supported your floor
me, banging your pots and pans together at 3am: the assumption that liking problematic characters means you share their views is toxic. people should not have to constantly defend their views simply because they enjoy a character of questionable nature.
you, attempting to wrestle them from me: indeed, but there comes a responsibility with enjoying problematic characters and it is on those who consume that media to recognize and constantly acknowledge the faults of it rather than sweep them under the rug with a general “i know it’s problematic don’t worry”.
me: it seems both our sides of the argument are valid and hold merit.
you: will you please get out of my house now
your neighbor, shouting through the wall: however when the person enjoying the problematic material is constantly harassed and called out for that content and has to face regular demands to justify their appreciation of that media, then the other party needs to step back and ask what they even want from this confrontation they keep perpetuating. they need to ask themselves if they will be satisfied with any given answer and if not, they need to disengage and deal with their own issues instead of forcing other people to answer for them.
A new ballet “The Little Mermaid”, composed by Tuomas Kantelinen. Premiere on October 23rd at the Finnish National Ballet with choreography by Kenneth Greve and costumes by Erika Turunen. The production uses 3D projections to create the effect of the world underwater
The real tragedy about the barricade is that we don’t know how much is true. Victor Hugo was there at the June Rebellion, so what is fact and what is fiction? That question gives me chills because we’ll never know.
Charles Jeanne (who I think is probably actual real life Enjolras) wrote an in-detail account of the ACTUAL barricades in a letter to his sister after the fact
I’m so glad somebody asked this, because the answer is: when they finally ran out of ammunition, Charles Jeanne rounded up everyone who was still standing, went, “look, if we’re going to die, we might as well die fighting,” and led a suicidal ten-man charge against an entire flippin’ infantry column, armed with nothing but bayonets. The first few ranks of soldiers were so unprepared for such a spectacularly insane attack that they were too surprised to shoot. They crossed bayonets and tried to hold the insurgents off in hand-to-hand combat, but Jeanne’s swordsmanship was apparently aces, because he held off a bunch of them at once and covered his friends as they tried to breach the ranks. And once they were in, nobody could shoot them for fear of taking out their own guys.
So the last stand that the insurgents had intended as a noble suicide ended in them breaking through the ranks entirely and winding up in the next street over, outside the combat zone, going “well shit, what do we do now?” (I’m guessing the infantry column wasn’t very deep; central Paris at that point was a rabbit warren of narrow twisty streets, and assembling troops en masse for an organized attack was a logistical nightmare.) Unlike the National Guard, the army weren’t total chumps and got themselves turned around to give chase and start shooting once they weren’t at risk of friendly fire any longer… and that’s when all the civilians holed up in their houses went “no way, you’re not getting your hands on these crazy bastards” and started hurling furniture and crockery down on the soldiers’ heads. Jeanne was understandably distracted at the time, but afterwards somebody informed him that the barrage of unlikely projectiles included a piano. A piano. That is some straight-up Looney Tunes slapstick right there. No wonder Hugo went for the heroic death scene instead; if he’d stuck to real life, he probably would’ve gotten complaints that he’d wrecked his readers’ suspension of disbelief.
Anyway, someone opened an alley gate for them to shelter in and take stock of the casualties—most of them survived(!!!), but a few were pretty nastily wounded. Their host then had to lock Charles Jeanne in to keep him from charging right back out and taking on the whole goddamn army singlehanded. He probably would’ve broken down the door if the poor man hadn’t pointed out that going back out would give away his wounded comrades’ hiding place and the identities of the people sheltering them. They sat there listening to the gunfire gradually slow and go silent, and then in the middle of the night the ones who could still walk were allowed to slip away one by one at long intervals from each other. Charles Jeanne went straight home, slept like the dead for a few hours, was woken up at five in the morning with a warning that he’d been denounced and the building was surrounded, and then slipped out in disguise and managed to evade the police for four months before a former comrade ratted him out and he was arrested.
And this, ladies and gentlemen, is why Charles Jeanne’s letter is an absolute treasure that deserves to be available to anyone in Les Mis fandom who wants to read it. Incidentally, “how Actual Historical Enjolras survived the barricades by being too good at his suicide mission” is also one of the stories I tell when anyone asks me what the hell is so interesting about researching people nobody’s ever heard of from an obscure chapter of French history.