It’s been 10 years since we first started taking the Hobbits to Isengard. I mean, it’s been way longer – the Hobbits could have fucking walked there, back again, managed to get served several times at the downstairs bar in Doggett’s and got a Southeastern train service all the way to Charing Cross since Tolkien put pen to page. But (and believe me, this is deeply unusual for me) let’s put J R R aside in this.
Peter Jackson’s Lord of the Rings trilogy is kind of… well, both too faithful (total lack of critical interrogation of Tolkien’s absolutely awful concepts around race, gender, etc.) and not faithful enough in that it appeared to miss all the points your correspondent’s teenage self managed to find in the series. Specifically, where Lord of the Rings is an obsessively detailed but ultimately quite modest and traumatised epic, a huge amount of which is two small, starving creatures crawling around in mud having moral dilemmas, the Jackson films take themselves as seriously and grandly as the books came to be and as I suspect their author probably never did.
Taking the Hobbits to Isengard, on the other hand, is a pure and perfect work and I will hear no ill spoken of it else ye never receive a pint in a round bought by me again.
It takes as its base the Hovis-theme-ripping-off music from The Shire – the small-worlded part of the films, before any grandeur is truly injected into the bloated beastie that is the trilogy. The Hobbiton theme is supposed to be homely, reassuring, quaint – like anything that succeeds at that, it sounds fucking amazing played on an airhorn.
The simplicity of the Shire’s theme is what allows it to so naturally accept the kitchen-sink style auditory ornamentation that is ‘a donk’. A classic staple of rave, it needs no introduction even in a world as apparently dislocated from two WKDs and a honk on some poppers as the miruvor-quaffing pipeweed fiends we see here.
As a lyrical piece, Taking The Hobbits is discursive – like many of the very best pieces of pop. One only has to consider the sweet, sweet tension of Fleetwood Mac’s The Chain or Brandy and Monica’s iconic The Boy Is Mine to recognise that dialogous pop is, when it works, a particularly sublime genre.
It doesn’t matter that the lines are, ostensibly, orphaned from their original place in the script – from the eponymous ejaculation to Gollum’s hissed What did u say??? they’re all perfectly addressing each other in the sort of gloriously confused cacophony usually reserved for a misunderstanding-based brawl outside a kebab shop at 3am.
I remember the first time I heard Taking The Hobbits To Isengard. It was quite a momentous occasion because I still had dial up, so it took roughly the length of a decent pop song to load and it was very difficult to tell if it was deliberate or a bandwidth-related glitch remix for at least 30 torturously disrupted seconds. I’d imagined it would be a fairly quick joke – most internet video based things were, at the time, but no; a fully fledged song. That just kept going.
The initial air horns! These are funny, yes because we remember them as the Shire theme, which isn’t even the music for this bit. The stuttering sample of the original line! Which sustains itself as Sheffield Dave-style shout out far better than it should, given it’s old seriousface Elf ears himself yelling off a horse.
(In retrospect, should have equated that with Sheffield Dave earlier)
Then there’s …polka bit. Few pop songs manage to maintain a polka interlude – Bohemian Rhapsody springs to mind but Taking the Hobbits To Isengard manages to repeatedly insert it without losing coherency around its original rave premise. If you don’t think ‘Tell me where is Gandalf, for I much desire to speak with him’ delivered over a little eurodance handbag bit is not both extremely funny and excellent pop, I can’t help you.
Taking The Hobbits To Isengard would score reasonably at Eurovision. Not because Eurovision is actually the home of comedy trash but because if France (and it would probably have to be France in order for the Elven analogues to take themselves seriously enough*) scooted in on an artpop platform and wanged loads of fucking airhorns round the stadium it would be entirely in keeping with European sensibilities of solemnly considering the totally whimsical due to our inherent reservedness about experiencing joy.
(The slightly older and wiser part of me has to question the repeated use of Gollum’s ‘stupid, fat, Hobbits’ which makes sense in the context of what he is but isn’t as inherently funny as a bass-intoned ‘Balrog of Morgoth’)
The great thing about Taking The Hobbits To Isengard is it actually gets funnier the more it goes on. Like Star Trekkin it not only sets out to commit to a fairly one-note premise but to hammer that note until it falls out through the piano and becomes a transcendent free agent, cascading through the strings.
It takes a premise; that the Lord of the Rings films, in their overblown format, are very, very silly and runs with it extremely, deadly seriously. This is the core of not all but a fairly substantial chunk of really good pop, as well as an excellent manual for life. All things are here – a manic sense of imminent implosion, troubling past associated with racist ideologies, handcarts, hell, what did u say???
Very seriously; Taking The Hobbits To Isengard is a superb piece of fan work and it has substantially enriched my life to listen to it on loop for the past 45 minutes whilst watching a parliamentary debate on mute. Creators of this piece: thank.
I’m gonna be famous for Star Wars for nothing else but this bread! It was a little gag which was incredibly successful, everybody thought it was CGI. We moulded up an inflatable bread so that it was deflated underneath the liquid and then we slowly inflated it and sucked out the liquid with vacuum pumps at the same time to produce this bread coming up and forming. You wouldn’t believe how long it took to actually perfect that one, that little tiny gag in the film. It started off with the mechanics of getting the bread to rise and the liquid to disappear, but then there was the ongoing problem of what color should the bread be? What consistency should it be? Should it have cracks in it? Should it not have cracks in it? It took about three months.
There’s another story that I like about a Chinese general who had to defend a city with only a handful of soldiers from a huge enemy horde that was in all likelihood going to steamroll the place flat within hours of showing up.
So when said horde did arrive, they saw the general sitting outside the city’s open gates, drinking tea. The horde sent a couple of emissaries over to see what was what, and the general greeted them cheerfully and invited them all to come and take tea with him.
The horde decided that this was a scenario that had “MASSIVE FUCKING TRAP” written all over it in beautiful calligraphy and promptly fucked off.
Whoever that general was, he was clearly the Ancient Chinese equivalent of Sam Vimes.
did he just invite us over for tea nah man i’m out
This just keeps getting better
I fucking love history.
ok but tbh that story misses a lot of the subtlety of the situation like ok
so this story is the Romance of Three Kingdoms, and essentially takes place between Zhuge Liang, resident tactician extraordinaire, and Sima Yi… OTHER resident tactician extraordinaire.
The two were both regarded as tactical geniuses and recognized the other as their rival. Zhuge Liang had a reputation for ambushing the SHIT out of his opponents and using the environment to his advantage, thus destroying large armies with a small number of men. Sima Yi (who kind of entered the picture later) was a cautious person whose speciality was unravelling his opponent’s plans before they began. So it was natural that the two would butt heads; however, since Sima Yi tended to have more men and resources, he started winning battles against the former. Which, y’know, kinda sucked.
On to the actual story: Zhuge Liang is all like “shit i gotta defend this city with like 10 men.” Literally if he fights ANY kind of battle here, he WILL lose; his only option for survival is not to fight. And that’s looking more and more impossible until he hears that his rival is leading the opposing army. And then he gets this brilliant idea. He basically opens all the gates, sends his men out in civilian clothes to sweep the streets, and sits on top of the gate drinking tea and chilling out and basically makes the whole thing out to be a trap
When Sima Yi comes he’s all like “yo come on in bro”
and Sima Yi is like “yeah he’s never been that obvious about his traps before. this is definitely a bluff” and he’s about to head in when he realizes
wait. he knows that i think he’s bluffing.
and so he gets it in his head that maybe, just MAYBE, Zhuge Liang has this cunning plan that will wipe out his army – recall that he has a pretty good handle on what his rival is capable of. And after a long period of deliberation (which is just like “he know that I know that he knows that etc.”), being the cautious man he is, SIma Yi eventually decides to turn his entire army around and leave.
Zhuge Liang later points out that the plan was based specifically on the fact that he was facing his rival; if it had been anyone else, there’s no way it would have worked. A dumber or less cautious person would have simply charged in and won without breaking a sweat.
and that’s the real genius here: it was a plan formed entirely just to deceive one man, and it worked.
Zhuge Liang is the most brilliant, sneaky-ass bastard in history. One time his side’s army was out of arrows, which pretty much meant they were screwed. So Zhuge Liang goes and does the logical thing, which is build a fuck ton of scarecrows and put them all on boats. Then he makes the men hide in the boats and sail them out on the river.
Well, that day was super foggy (which Zhuge Liang had predicted. Did I mention he was also a freakishly accurate meteorologist?). So the enemy across the river sees a fleet of boats armed to the teeth with what appears to be half an army of men. They panic! and start firing arrows like crazy.
Zhuge Liang lets this play out for a while, then he’s like, ”Ok guys that’s enough.” They calmly turn the boats around and go back to base, where they dismantle the scarecrows and pull out all the enemy’s arrows.
Zhuge Liang is legend.
I love this post. It just keeps getting better. Like seriously, I would have adored learning about this in World History.
If you want to see this in cinematic glory, watch Red Cliff.
Especially since it makes Zhuge Liang look like this:
Red Cliff is 50% bloody battles and 50% eye candy and about half of that eye-candy is due to Zhuge Liang
So, when my maternal grandmother died, we had to find loving, permanent homes for all five of her cats because otherwise she would have risen from the grave to kill the entire family. We took in Chloe because Chloe was my grandmother’s favorite, and she made my mom promise to look after her. Now my mother treats Chloe like her third child, and the cat is basically plastered to her 24/7 when she isn’t hiding from some imagined enemy like the dustbuster or my dad’s footsteps.
Anyway, we wound up giving the rest of the cats to this couple that runs a joint called Kitty Korner. They try to find loving homes for all the cats they take in, but will care for the unadoptables (read: assholes) for the rest of their lives. That’s great, because one of the cats we gave to these poor women was Tobey. I have no idea why my grandmother ever adopted Tobey. He was a huge schmuck. The most handsome orange tomcat you ever saw, and he loved to crawl in your lap. But if you ever tried to touch him, he would switch immediately into Kill Mode and you could say goodbye to your hand. Needless to say, having him in your lap was awkward. It was like holding a bomb.
Kitty Korner sends us detailed letters every year to give us updates on how Tobey’s doing. Basically, they are status reports on how much of a douche Tobey is and continues to be. These women are saints. I guess they really like cats, because these letters are like a full page of single-spaced text. But more or less, they amount to:
2003: Tobey has a real colorful personality! But, uh, we don’t think he’s suited for adoption yet
2004: Nope, still not suited for adoption
2005: I think this is pretty much a lost cause
2006: WTF
2007: Tobey is trying to kill us and every other cat in the house
2008: Tobey is still trying to kill us and every other cat in the house
2009: Tobey is a vicious dictator and can only find pleasure in the subjugation of other organisms
BUT!!!! The past few years, Tobey has apparently been making steady improvement. And in our most recent letter, we have been informed that he is no longer doing things like venturing upstairs expressly to beat the living shit out of the other cats at Kitty Korner. He will also let you pet him, and when he’s had enough he’ll give a warning nip instead of removing your limb. In fact, Tobey, at a ripe old age of 14, is ready for a new home! With an experienced cat owner, comes the necessary caveat, and like… no kids. At all. Ever. Or other cats, probably. But at least he’s no longer a psychopath.
WE GOT ANOTHER LETTER FROM KITTY KORNER AND WE THOUGHT TOBEY HAD FINALLY KICKED THE BUCKET BUT IN FACT HE HAS FOUND A NEW HOME, AT AGE 16, WITH AN ELDERLY MAN WHO RECENTLY LOST HIS OWN CAT.
I MAY CRY.
2/1/2016: old man Tobey still loving his forever home :’)
Amazing
I crying
this nerd
these nerds
walked straight into the next genderbend hell
billion dollar trouble
they are beauty, they are grace, they will throw knives and piranhas at your face
anyone else scared to see the spaghetti fight animated
meeting in EoH
I’m twice my age, my hat is my hair
I would just like to point out that Clip Studio has *MENACING*
“My daughter wanted a fairy tree in her room that she could sit inside and read books”
Serious contender for the father of the year award, Reddit user radamshome created a colossal fairy tree in 18 months with his own hands, making his daughter’s dream come true. Strenuously constructing a gnarly tree that strecthes its winding branches across the ceiling, it substitutes as a quiet spot for a nice read in the corner of his daughter’s room, and the project took over 350 hours and 4,250 USD to make.
Despite radamshome’s greatest fear of the possibility of the tree being dismantled “when she’s 13 and wants it removed from her room”, the magical concrete and rebar tree has been built to last till a happily ever after and can also hold the weight of three adults.
Radamshome who describes himself as an “artist in the video game industry,”, was initially “un-prepared for the physical realities of the project”, but dedicated his full efforts to making it happen. Starting from a concept drawing to a scale model, then welding classes which manifested into a giant painted tree fit for every girl’s dream, the father has created an elaborate and magical gift for his young daughter.
“I was kind of un-prepared for the physical realities of this project….”
18 months and 350 hours were spent to complete the project
Radamshome, who is an artist in the video game industry, began with a concept drawing and a scale model
He took private welding courses to make the tree skeleton structurally sound
After over 100-120 hours, the skeleton was complete
It took another 50+ hours to apply the wire “skin” to the rebar
A special mixture of cement was used for the tree trunk, and papier-mâché for the branches. Total time so far: 225 hours
The dad used to paint miniatures as a teenager, so he used the same techniques to paint the tree
He wove Christmas lights, capable of being dimmed, into the branches to simulate stars
The fairy details and tree decorations were found at a Michael’s art supply store
One happy camper! The tree is actually strong enough to support three adults!
EY FATTY BOOM BOOM 